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Oval Dish: Apollo and the Muses; Fame

 (French, act. 1602–1603)
Datelate 16th century
MediumPainted enamel on copper, partly gilded
Dimensions21 7/16 × 16 × 2 in. (54.5 × 40.6 × 5.1 cm)
Credit LineHenry Clay Frick Bequest
Accession number1916.4.29
Commentary

Little is known about Martial Reymond, who signed this large dish. Son of Jean Reymond, he followed his father’s style and technique in creating a decorative piece characteristic of the second half of the sixteenth century. Particularly representative of this artistic period is the com­bination of a mythological scene—here, Apollo surrounded by muses playing music—with fanciful figures and fantastic animals, known as grotesques. This exemplifies the arts that flourished at the court of Francis I at Fontainebleau under the influence of Italian artists brought to France in the 1530s and 1540s and which had a significant impact on Limoges enamelers of the next generation.

Source: Vignon, Charlotte. The Frick Collection Decorative Arts Handbook. New York: The Frick Collection/Scala, 2015.

Collection History

J. Pierpont Morgan, London and New York. Duveen. Frick, 1916.

Source: Enamels, Rugs and Silver in The Frick Collection. Volume VIII. New York: The Frick Collection, 1977.

Not On View
View from behind of large oval dish depicting Jupiter
Jean Reymond
late 16th century
Painted enamel oval medallion depicting  Apollo and the Muses
Suzanne de Court
ca. 1600
Frontal view of a polychrome enameled oval dish depicting Ceres Holding a Torch
Martial Reymond
late 16th century
View from the top of an enameled polychrome Ewer Stand showing Moses Striking the Rock
Workshop of Pierre Reymond
late 16th century
Front view of polychrome enameled casket in a structure of gilt bronze with Old Testament Subje…
Attributed to the Workshop of Pierre Reymond
mid-16th century, with later additions
Frontal view of ewer in polychrome enamel showing The Gathering of Manna and The Destruction of…
Workshop of Pierre Reymond
late 16th century
View of an polychrome enameled saltcellar in the shape of a cup with Amorini and Satyrs
Attributed to the workshop of Pierre Reymond
mid-16th century
Enamel in gold frame with enamel medallions
Workshop of Pierre Reymond
mid- to late 16th century
Plaque: Christ Crowned with Thorns
Workshop of Pierre Reymond
mid- to late 16th century
Polychrome enamel plaque representing The Adoration of the Magi
Attributed to Jean Reymond
late 16th century
Front view of enameled plaque depicting The Seven Sorrows of the Virgin
Workshop of Pierre Reymond
1533
Front view of enameled polychrome triptypch depicting The Way to Calvary; The Crucifixion; The …
Workshop of Master of the Large Foreheads
ca. 1510
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