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The Seven Sorrows of the Virgin

 (French, 1513–after 1584)
Date1533
MediumPainted enamel on copper, partly gilded
Dimensions7 1/8 × 5 3/4 in. (18.1 × 14.6 cm)
Credit LineHenry Clay Frick Bequest
Accession number1916.4.11
Commentary

First appearing in French manuscript illumina­tions, the subject of the Seven Sorrows of the Virgin posits the suffering of the Virgin as equiva­lent to that endured by Christ. Her seven sorrows, illustrated here in roundels, are the Circumcision, the Flight into Egypt, the Loss of the Child in Jerusalem, Christ Falling on the Way to Calvary, the Crucifixion, Mary receiving the dead body of her child, and, finally, the Entombment. The scenes of the Flight into Egypt and the Way to Calvary derive from woodcuts by Albrecht Dürer made before 1506 and in 1509, respectively. Dated 1533, this plaque may be the oldest known enamel produced in the workshop of the prolific and talented Pierre Reymond, who was active until the early 1580s.

Source: Vignon, Charlotte. The Frick Collection Decorative Arts Handbook. New York: The Frick Collection/Scala, 2015.

Collection History

Charles Stein (?). J. Pierpont Morgan, London and New York. Duveen. Frick, 1916.

Source: Enamels, Rugs and Silver in The Frick Collection. Volume VIII. New York: The Frick Collection, 1977.

Not On View
View from the top of an enameled polychrome Ewer Stand showing Moses Striking the Rock
Workshop of Pierre Reymond
late 16th century
View of an polychrome enameled saltcellar in the shape of a cup with Amorini and Satyrs
Attributed to the workshop of Pierre Reymond
mid-16th century
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Workshop of Pierre Reymond
mid- to late 16th century
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Workshop of Pierre Reymond
mid- to late 16th century
Front view of polychrome enameled casket in a structure of gilt bronze with Old Testament Subje…
Attributed to the Workshop of Pierre Reymond
mid-16th century, with later additions
Frontal view of ewer in polychrome enamel showing The Gathering of Manna and The Destruction of…
Workshop of Pierre Reymond
late 16th century
View of polychrome enameled oval dish seen from above depicting Apollo and the Muses as well as…
Martial Reymond
late 16th century
View from behind of large oval dish depicting Jupiter
Jean Reymond
late 16th century
Polychrome enamel plaque representing The Adoration of the Magi
Attributed to Jean Reymond
late 16th century
Front view of casket in polychrome enamel and gilt bronze with scenes from the Story of Joseph
Pierre Courteys
late 16th century
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