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#231: By Aimee Ng, Curator Transcript

When Lady Meux approached Whistler to paint her portrait, the artist was mired in scandal. He was bankrupted by a lawsuit he had lodged against the critic John Ruskin and had just returned from Venice to a London art scene in which he was no longer the top society portraitist. But Lady Meux was no stranger to notoriety: born Valerie Susan Langdon, she had worked as a bartender and actress before meeting and marrying Sir Henry Bruce Meux, heir to a large brewery fortune. She was never accepted by her husband’s family or class-conscious British society at large. Somewhat eccentric, she collected Egyptian art and reportedly rode exotic animals to public events, such as an elephant to a hunt and a carriage drawn by zebras. In the early 1880s, she requested from the down-and-out Whistler not one but three portraits of her: in addition to this one, one depicting her in black wearing diamonds is now in the Honolulu Museum of Art, and a third, of her head-to-toe in furs, was destroyed by the artist after an argument with her.

Peering out from the shadow of her hat—which the writer Henry James criticized as ill-fitting—Lady Meux pulls her chiffon train trimmed in pink satin close to her body and offers a slender profile silhouette set against the pinks and grays of the curtain behind her. When she died, after enduring a lifetime of rejection by her husband’s family, she left her entire fortune to a military hero who lived nearby and who had been kind to her at a horse race.

Harmony in Pink and Grey: Portrait of Lady Meux

 (American, 1834–1903)
Date1881–82
MediumOil on canvas
Dimensions76 1/4 × 36 5/8 in. (193.7 × 93 cm)
Credit LineHenry Clay Frick Bequest
Accession number1919.1.132
Commentary

Susan Langdon (also known as Valerie Susie Reece, 1852–1910), daughter of a Devonshire butcher and victualer, married Sir Henry Bruce Meux, Bart., a brewer. A colorful figure in society, she once created a sensation by appearing at a hunt riding an elephant. This is the second of three portraits Whistler made of her. The first portrait, Arrangement in Black and White, is in the Honolulu Academy of Arts, and the third apparently was destroyed by the artist before it was completed as the result of a quarrel with the subject.

Source: The Frick Collection, Handbook of Paintings, New York: The Frick Collection in association with Scala Publishers, 2004.

Collection History

Sir Henry Meux. Lady Meux. Sir Hedworth Meux. Frick, 1919.

Source: Paintings in The Frick Collection: American, British, Dutch, Flemish and German. Volume I. New York: The Frick Collection, 1968.

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