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St. John the Evangelist, c. 1454-1469
tempera on poplar panel
Overall: 52 3/4 x 24 1/2 in. (134 x 62.2 cm)
Purchased by The Frick Collection, 1936
Accession number: 1936.1.138
Enamels Room (132)
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Evidence from a payment made to Piero in 1469 suggests that the altarpiece was finished late that year, fifteen years after the original contract. The lengthy delay resulted no doubt from Piero's many other commitments during this period, when he traveled to towns all across Central Italy and contracted obligations to patrons more important and more exigent than the family of Angelo di Giovanni and the Augustinian monks of his own small town, Borgo Sansepolcro. But it is obvious as well from the character of his art that Piero was not a quick or facile painter. His deep interest in the theoretical study of perspective and geometry and his pondered, contemplative approach to his paintings are apparent in all his work, including the panels of the S. Agostino altarpiece.
Source: Art in The Frick Collection: Paintings, Sculpture, Decorative Arts, New York: Harry N. Abrams, 1996.
Source: Paintings in The Frick Collection: French, Italian and Spanish. Volume II. New York: The Frick Collection, 1968.
Updated by the Curatorial Department in October 2008.