 |
Object Results |
record 1 of 1
|
<<first
<previous
next>
last>>
Commentary: The identity of the subject remains in question, though he has at times been called Leonaert Bramer, Carel Fabritius, Jan van de Cappelle, and Jan Asselyn. The painting is in the style of Rembrandt’s portraits of the late 1640s, but it could well be the product of a pupil or imitator. Mr. Frick’s purchase of this canvas in 1899 signaled a new stage in his development as a collector; previously he had favored the work of contemporary French Academic and Barbizon painters.
The Frick Collection: Handbook of Paintings, New York: The Frick Collection in association with Scala Publishers, 2004.
Your current search criteria is:
| If you are planning a visit to The Frick Collection, please note that not all artworks are on view at all times.
The information here is reviewed regularly and is subject to revision. This resource is for educational use and its contents may not be reproduced without permission. |
|
